Lauten Audio Releases LS-208 Microphone By PSW Staff • November 27, 2018 Lauten Audio has announced the LS-208 microphone, aimed at the needs of live recording for spoken voice in broadcast, live sound reinforcement,… Read More
Past & Present: Were The “Good Old Days” Really All That? By Keith Clark • November 26, 2018 Some of the crazier (and unknown and uncertain) stuff has been taken out of the equation... Read More
How To Disappear Completely: My Year Of Working Without Corrective EQ By Chris Mitchell • November 20, 2018 A few years ago, I embarked on a quest to remove the last few bands of corrective parametric equalization from the input channels of my… Read More
Countryman Microphones Capture Foreigner’s Jukebox Hero The Musical By PSW Staff • November 14, 2018 When Jukebox Hero The Musical, a celebration of Foreigner’s music, was performed at the Jubilee Auditoriums in Calgary and Edmonton, Western Canada’s… Read More
Audix Microphones Appoints DWR Distribution For South Africa By PSW Staff • November 13, 2018 DWR Distribution, South African supplier of stage lighting and other live performance equipment, announces that it will be the sole distributor for… Read More
Mic Methods: Two Sides Of The Same Coin By James Cadwallader • October 25, 2018 Everyone agrees with the idea that you point the microphone at what you want it to pick up. But there’s another side to the coin:… Read More
Sensitive (Mic) Matters By Merlijn van Veen • October 23, 2018 Many believe that condenser microphones are more sensitive than dynamic microphones (moving coil) and therefore pick up “everything,” e.g., stage wash and noise. Sensitivity, however,… Read More
Shure 600 MHz Wireless System Rebate Ends October 31 By PSW Staff • October 12, 2018 Shure has announced that its 600 MHz wireless rebate program has been extended through October 31, 2018. The rebate offers up to $500 per… Read More
From The Outset: Strategies For Success With Source Input Mixing By Ales Stefancic • October 3, 2018 With the introduction of digital consoles, better microphone options, PA systems with higher fidelity and more pre-production time, the gap between the worlds of studio… Read More
In The Studio: Control Room Techniques To Foster Great Vocals By Barry Rudolph • September 26, 2018 During a session, I remember when an artist was on mic, out in the studio ready to start vocal overdubs, and the producer asked: “How… Read More
In The Studio: Recording The Rolling Stones “Brown Sugar” Sessions By Bruce Borgerson • September 21, 2018 If you’ve seen the Rolling Stones Gimme Shelter movie, you might recall Jimmy Johnson’s brief speaking role. He was the one coaching Keith Richards on… Read More
Antelope Audio Unveils New Edge Family Of Modeling Microphones By PSW Staff • September 17, 2018 Following the success of the Edge and Verge modeling microphones, Antelope Audio has unveiled the next evolution of their mic modeling technology. Read More
6 Things To Think About Before Miking A Grand Piano By Bobby Owsinski • September 11, 2018 Many engineers believe that miking a grand piano is the most difficult thing they’re called on to do. Getting it to sound natural can drive… Read More
Unpopular Opinions: Cutting Through The Noise To Get More Signal… By Samantha Potter • September 4, 2018 Live mix engineers use social comparison to mold and sculpt the beginnings of our opinions of our work. As newbies, we ask more experienced engineers… Read More
Dynamics, Condensers & Phantoms: Getting Into The Design Of Microphones By Scott Foulkrod • August 30, 2018 Experiment, evaluate and make your own live sound a little better Read More
