New DL4 omni lav and DH5 omni headset mics equipped with MEMs element designed to yield consistent and neutral sound quality with low self-noise.
Offers selectable pattern (cardioid far and near as well as omni) and designed to handle a variety of high-resolution (100 kHz), high-sample-rate recording applications.
Providing AVIXA Renewal Units (RU), Point Source Audio, introduces a microphone-focused course for CTS/CTS-D certification level holders.
An incredibly useful method to attain ultimate control of the stereo field in your recordings…
A host of excellent starting points for capturing and recording the sound you want…
Dynamic end-address mic with a cardioid polar pattern designed to deliver clarity throughout its 50 Hz to 20 kHz (±3 dB) frequency range.
FOH engineer Luke Milanese employs FET M60 condenser and M80 dynamic mics to capture group that brings it’s own signature style to traditional bluegrass.
Companies offering campaign for first-time and indie filmmakers who will have the opportunity to win customized DPA/Rycote filming kits.
You never know unless you try, and you’ll never learn if you’re afraid of pushing buttons, turning knobs and putting a mic where it’s maybe never been placed before.
TG D70 designed for kick drum and TG I51 for instruments, both engineered to deliver clear sonic performance joined by a durable design for stage and studio applications.
Company’s microphone windshields and in ear monitors helped the sound crew deliver safe, intelligible audio for the completion of its sixth season.
Company’s first large-diaphragm phantom-powered condenser microphone is designed for use in the studio and on stage.