Microfiles: The Primo UD-863, A Distinctive (Looking) Microphone Circa The 1960s
The functionality and aesthetics of a cardioid dynamic design with a non-metallic diaphragm.
The functionality and aesthetics of a cardioid dynamic design with a non-metallic diaphragm.
A way to meet a common challenge presented by drum kits to attain better consistency in both live and streaming mixes.
A look at several techniques for capturing the sound of the snare, along with addressing other factors that can have an impact.
Our panel of audio veterans on getting a better handle on “those things with strings.”
Condenser mics are wonderful tools, but as with everything else in the audio toolbox, they must be matched to the task for best results. Hopefully, clearing up these five misconceptions will ensure a better result the next time.
It’s a process that’s not as much about selecting the theoretical “best” mic than it is about choosing the right mic for the source.
With their small size and light weight, they can be problem solvers in a wide range of situations on stage…
Approaches to help in controlling feedback and leakage as well as fostering delivery of cleaner, more natural sound to the audience.
A dynamic design from a Japan-based manufacturer with switchable impedance via a high/low switch mounted under the head with impedance stated as “Hi-50K Ohms, Lo-600 Ohms.”
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