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Approaches to making them feel like they’re playing together in a room without headphones, able to hear and feel each other clearly in an atmosphere of creativity.
There’s so much more that goes into recording an electric guitar that goes beyond just slamming a 57 up against the grille cloth of the speaker cabinet.
A look at some of the tools used to create a variety of “acoustic spaces” that give our productions a sense of depth, space and openness.
The steps to improving our ability to discern what we want to hear and what we do not…
Employing some relatively common techniques to provide listeners with cues that give the audio some space – in multiple dimensions – as they’re used to hearing it in real life.
From the archives of the late, great Recording Engineer/Producer (RE/P) magazine comes a wealth of knowledge about reverb. (July/August 1979 issue)
Explaining how this wonderful tool actually works… if used wisely and properly…
A brief discussion about the making of the song’s classic vocals quickly moves into sharing techniques and approaches on achieving the same sonic signature.
Most compressor plugins today are based on the four different types of electronic building blocks from the analog hardware days.
Church Audio Tech Training Available Through Church Sound University. Find Out More!