In The Studio: Analog Tape Recording Basics And Getting “That Sound”
Analog tape is pretty much gone, but there are still ways to achieve the classic magnetic sound…
January 18, 2023
Analog tape is pretty much gone, but there are still ways to achieve the classic magnetic sound…
From the archives of the late, great Recording Engineer/Producer (RE/P) magazine comes a wealth of knowledge about reverb. (July/August 1979 issue)
We work with sound. We work with music. We work with feelings. We must arrive in the musical moment.
A step-by-step process of how to use timecode with a modern DAW, namely Pro Tools, to synchronize a tape machine to the Pro Tools transport for flawless audio transfer.
Explaining and exploring stereo recording microphone techniques, including coincident pairs, spaced pairs, near-coincident pairs, and baffled omni pairs.
Ultimately, you cannot completely avoid phase cancellation, you can only make sure it sounds as good as possible.
If you’re guilty of any (or all) of these, don’t worry. I am, too
A veteran who’s been on both sides offers experiences, observations and insights; being able to switch between them involves employing the appropriate mental skills and adapting to the context in which you’re working.
Often overlooked and/or misunderstood, the real secret is how much reverb to use and how to adjust its various parameters.
Acoustics
Amplification
Audio Networking/IT
Business
Cabling & Interconnect
Church Sound
Dynamic Processing
Electrical Power
Equalization
History & Heritage
Key Audio Principles
Live Recording
Loudspeakers
Microphones
Mixing Consoles
Popular Authors
Production
Profiles
Software Tools & Apps
Sound System Design
Stage Monitoring
Stagecraft & Best Practices
Studio Recording
Subwoofers
System Test & Measurement
Wireless/RF
Copyright 2022 ProSoundWeb · EH Media LLC. All rights reserved.
