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Understanding the musical genre as well as your band will dictate whether that percussion sound is subtle or dominant. This is where your own artistry can shine. Here are some thoughts on the topic and approaches…
This time we’re talking about signal processing, including plugins, onboard console DSP, system processors, and analog units as well.
When two signals are combining at the same level but with different timing in a bus or a loudspeaker, the result will be comb filtering upon the combination. To avoid this, the two signals must be corrected to arrive in time with each other. Here’s a way to do it.
“Try thinking about which frequency ranges are most critical to the sound of each instrument, and remove what’s not as important with your channel EQ.”
Why would anyone want to spend money on an external preamp, let alone several? Here are some reasons why…
“The measured and considered improvement over time in this case has led to a situation that gives me better results with fewer compromises.”
Continuing the discussion by considering computational complexity and the key benefits of FIR filters.
If you ask 10 audio practitioners this simple question, you’re likely to get 10 different answers…
Delving into this sometimes divisive topic, presenting positives for both sides along with a workaround.
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