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Ruminating on the topic of improving intelligibility by reducing volume inconsistencies and dealing with reverberant room acoustics versus the loss of “slam-hit eye-blinking” impact.
From the archives of the late, great Recording Engineer/Producer (RE/P) magazine comes a wealth of knowledge about reverb. (July/August 1979 issue)
Explaining how this wonderful tool actually works… if used wisely and properly…
Avoiding the “add-ons,” the extra ingredients meant to improve the flavor of one or more parts of the mix but instead spoil the whole dish.
Often overlooked and/or misunderstood, the real secret is how much reverb to use and how to adjust its various parameters.
Getting “back to basics” on setting up compressors, gates and additional effects processors.
“Sound systems only feed back at the frequencies indicated on the graphic equalizer…”
Focus on Main L/R bus processing, theories of mixing into certain processing, and how to approach matrices for sending out a live mix.
Some brief general guidelines that can be a big help, especially for those new to the process…
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