
Guerrilla Recording: Adding More Dynamic Range To Mixes
Managing all of the “area” between the extremes, for each and every sound you record, is a skill that’s critical to making a good-sounding recording.
Managing all of the “area” between the extremes, for each and every sound you record, is a skill that’s critical to making a good-sounding recording.
Inside a method the author developed for fast adjustment of a noted guitarist’s tone during the course of shows.
From the archives of the late, great Recording Engineer/Producer (RE/P) magazine comes a wealth of knowledge about reverb. (July/August 1979 issue)
Comparing measurements to determine if a standard graphic equalizer is capable of producing the types of curves used in system optimization.
If you’re guilty of any (or all) of these, don’t worry. I am, too
Often overlooked and/or misunderstood, the real secret is how much reverb to use and how to adjust its various parameters.
The trend today is to keep vocals as dry as Lake Meade in 2022, but if you’d like to upgrade from the dry toast sound to a nice juicy ribeye with a compound butter topping, read on.
Understanding the musical genre as well as your band will dictate whether that percussion sound is subtle or dominant. This is where your own artistry can shine. Here are some thoughts on the topic and approaches…
Employing today’s digital mixing tools and DSP technologies to devise more precise ways to solve the problem without making wholesale changes to the mix.
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