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What it was like going from no compressor to one compressor versus today’s reality wherein even some very cost-effective consoles have a compressor on every channel and every output.
Addressing common confusion about compression – in the context of live sound – as processing that’s used to reduce the dynamic range of the signal.
While digital audio workstations have fundamentally changed the way we make records, proper gain structure is no less critical to good recording. Here’s a primer…
A quick and methodical manner to track down and resolve that crazy audio that’s cracking up somewhere in your mix.
“Try thinking about which frequency ranges are most critical to the sound of each instrument, and remove what’s not as important with your channel EQ.”
Creating an accurate translation of instruments for a large experience, like the PA isn’t there and the band is playing just for the fan.
Why would anyone want to spend money on an external preamp, let alone several? Here are some reasons why…
The present state of power amplifiers, the result of decades-long design trends in delivering vastly increased power density, sophisticated DSP and much more.
There are some very interesting and helpful tools that have come onto the market over the last few years, so what’s the next big thing?
