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Sessions include DISPLAY 2.3, EASE Focus, Simon Honywill On Festival Sound and more.
Focuses on how technology can be adapted during current crisis along with ways for congregations to stay connected.
Supporting the company's products and technologies for dealers, end users and future customers throughout the region.
Company is now handling its own sales and consulting for its commercial products in the United Kingdom.
Focus of new sessions will be the company's control software and live sound technologies.
Offering free podcasts and newsletter for houses of worship to educate, connect and grow their churches.
Focus on company's technologies and best audio practices will be presented in multiple languages.
Moves up from her previous role as the company's financial controller.
Will be reaching out to crew members from tours whose income has already been affected due to the cancellation or rescheduling of Live Nation ...read more →
Updated report, released every Friday, was fielded March 30-31.
Public Facebook group dedicated to networking between industry professionals whose livelihoods have been impacted by the ongoing pandemic crisis.
Includes AudioFuse Control Center software to route audio and control master settings, as well as a collection of software effects and instruments for adding ...read more →
Our panel of pro audio veterans provides a wide range of solutions for both monitors and front of house.
Building a rock-solid foundation for a business takes a lot of hard work, careful attention to detail and the ability to take advantage of ...read more →
The author shares his expertise on the day-to-day portions of mixing a late night TV house band and navigating the role that music plays ...read more →
The question "How many watts?” can have many answers...
Vibe up dull snare drums, energize a piano, add some "room" to sounds, enhance that kick and build a tunnel...
"We never did discover who flipped on the low-pass filter switch..."
An eye-opening exercise that can bring us to another level of "awareness" with music, which can positively impact the mix.
Bringing clarity to the terminology as well as outlining the pros and cons of each.
Vintage audio equipment can be viewed in much of the same light as vintage muscle cars in terms of appeal as well as problems.
Minimizing the setup down to its core, utilizing the bare essentials to get the job done efficiently and as quickly as possible.
Looking at some of the mics in question and examining why we might (or might not) want to use a pre-EQ’d kick drum mic.
An approach that emphasizes innovative, cost effective solutions over trying to fix every problem with high-end technology.
Evaluating a new headset outfitted with proprietary acoustic noise cancellation technology and more.
Includes AudioFuse Control Center software to route audio and control master settings, as well as a collection of software effects and instruments for adding ...read more →
Seats for 1,150, a crew of over 100, nearly a dozen resident companies and a nonstop production schedule – there’s a lot to coordinate ...read more →
Suitable for OB van applications at sports meetings and large events, as well as for connecting UHD monitors, control desks and broadcast cameras.
Available now for free download; compaitble with new generation of expressive instruments and designed to work with several operating systems.
Outfitted with a new MIDI Out feature, NKS compatibility with Native Instruments controllers, and more.
Offers new features that include HiQ Lo and Hi Shelves on each band, an EQ display that corresponds to PT's EQ Curve Display on ...read more →
Audio from seven sports facilities is transported to the production control rooms via Dante, and nearly all audio for broadcast is on a Dante ...read more →
Part 1 of a series looking at smart speaker acoustic measurements with a focus on frequency response – the most important objective measurement of ...read more →
Three slots for plugins such as the Abbey Road Saturator, Berzerk, and MDMX Screamer, Overdrive and Fuzz modules.
Next-generation receiver is nearly half the size/weight of its predecessor and uses slim 3.7-volt rechargeable lithium ion battery.
Capable of streaming 32-bit float USB audio to compatible DAWs on Windows 10; compatible with company's MixPre II Series.
