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“The goal of this method is to have the sound system reproduce as closely as possible the same tonal balance and perspective (i.e. “the mix”) that is being generated at the output of the mixing console by the operator.”
Where to begin? What equipment? How much money?
Same feature set as Smaart v8.4 update offered for users looking to add SPL monitoring capability to additional computers without need to purchase additional installations of Smaart v8.
Are we too content with “close enough” at the expense of the actual thing?
Can RTA response change depending on how you hold the phone?
Pushing up some faders, getting a reasonable balance and adding some effects might work for a rough mix, but there’s more to building a great mix…
A (friendly) conversation about the use (and often overuse) of plugins as tools to help achieve a better mix, both at front of house and in monitor world.
“What can I do now, with the gear and people I have, to improve things for the team, the clients, and the bottom line?”
Have we reached the point where we actually prefer processing and loops to real instruments?
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