APEI will offer three days of product development sessions addressing methodologies, practices and technologies involved in developing and bringing audio products to market.
In light of pandemic, live production company shifts operation with contruction of soundstsage equipped with DD12 and DD6 loudspeakers and WS218X subs.
Stated to provide an upper mid-range response that “cuts through” both live and studio mixes.
With a new recording studio and programs in audio engineering, synthesis and digital musicianship, ORIGIN deemed the right fit for university’s focused programming.
Need for a new approach for performances in light of the pandemic leads to an IP-based remote production installation from Lawo designed specifically for WAN-based remote productions.
Five-day event converted to fully virtual convention due to pandemic and travel bans with all-volunteer technology team using RTS VLink as global intercom to coordinate control and monitoring of hundreds of program events via a virtual mission control.
After 50 years of countless tours and albums, home studio “newbie” turns to SSL 2+ to keep working in these challenging times.
Partners wanted flexible 7.1 reference monitoring for future expansion to a Dolby Atmos specification in system utilizing CRMS compact cinema monitors for mains, CRMSC-SRHV/90 for surrounds, and a CB362 subwoofer system.
Employs SRb and SRc receivers as well as two each of SMV, SMQV, and LT transmitters, and an HMa plug-on transmitter paired with a UCR411a receiver for both music and dialogue recording.
