Supported By
Five problems that the author — a veteran live engineer — has encountered at gigs. as well as some suggestions for how they can be avoided.
Clarifying “FFT vs RTA vs transfer function” along with “frequency response vs magnitude response” and several other areas sometimes misunderstood.
Addressing common confusion about compression – in the context of live sound – as processing that’s used to reduce the dynamic range of the signal.
Presenting beautifully blended vocal harmonies through a PA can be the icing on the cake of a quality mix
Even though two-channel designs are the most popular form factor, the majority of sound reinforcement systems aren’t stereo. But having two amplifier channels in the same box can provide some other benefits. So, “What’s the carrot?”
With streaming and video-recorded performances now the norm (and likely to stay), it’s important to focus on the role of technology and delivering an immersive, satisfying experience to the intended audience.
Understanding the nature of wavelengths can aid in optimally setting up and operating sound systems…
Looking at the features and benefits of analog consoles in the live sound realm for supporting concerts and corporate events.
A look at some prime decision-making examples demonstrating that the three concepts are highly interdependent.
