One Size Doesn’t Fit All: A Relevant Blast From The Past
Getting the essentials right before even thinking about the extras…
April 7, 2021
Key Audio Principles
Supported By
Supported By
Getting the essentials right before even thinking about the extras…
Our mind’s ability to recognize, learn and store good, bad and unusual sounds is the mental gateway to the audio mixing craft.
Attaining accurate frequency response data from headphones and in-ear monitors has long been a ‘missing link’ in a quality monitoring signal chain.
Is there some sort of rule/equation about how far apart and at what distance something feels like stereo or mono?
The author view on a wide – and interactive – range of electrical and mechanical parameters that come into play.
After battling hum, buzz, hiss and hash for more than 45 years, the author offers his observations on these nuisances and what to do about them.
While you may be skilled at listening to the audio coming out of the monitors, how good are you at listening to the artist?
From the archives of the late, great Recording Engineer/Producer (RE/P) magazine comes a wealth of knowledge about reverb. (July/August 1979 issue)
Explaining how this wonderful tool actually works… if used wisely and properly…
Church Audio Tech Training Available Through Church Sound University. Find Out More!