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What is FIR filtering and how does it compare to ubiquitous IIR filtering? This article aims to answer these questions.
Are we too content with “close enough” at the expense of the actual thing?
Part 1 of a series on making it work despite ever-present financial challenges.
Is our show file, created after weeks (or months or years) of rehearsals and shows – and with all of our intellectual knowledge and experience – our property or the property of the band? Plus, an attorney weighs in on the question as well.
How, as professional crew, can we enjoy the best that life on the road has to offer and still have a life off the road to return to when the time comes?
What every aspiring A2 working in the world of corporate audio should know.
The author, with enough training in both fields, finds interesting comparisons between the two.
A guide to your “on-board kit” and how it can make your work a little quicker and easier…
Having the right gear is important but knowing how to deploy it is vital to the end result…
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