Keeping an eye on the money, adhering to solid business practices, understanding who you’re dealing with and more in the “wild west” that can be working in live sound. (An audio version of this article is also available for download.)
A micro-metal alloy diaphragm dynamic design from the early 1950s designed for a range of applications and with aesthetics optimized for television.
A deeper understanding of a song’s mood and message is critical for every aspect of production, and audio certainly isn’t exempt from that.
On analog consoles and processors, and ways that mixing and the workflow has changed in the digital age.
“The 811 was designed for use in professional recording applications and is equally suited for serious amateur recording, high-quality sound reinforcement and other demanding sound pickup situations.”
The life and times of one Frederick “Feedback” Murphy and his infamous, mercifully brief stint working in live sound.
“I liked to keep the vibe pretty loose and fun. With that in mind, here are a few humorous incidents from my eight years in that job.” (An audio version of this article is also available for download.)
Catching up with a veteran of both the live and studio realms on a wide range of subjects, including building her career, staying focused, overcoming difficulties and more.
An inexpensive omnidirectional design for general purpose applications such as public address systems that also proved popular with garage bands and working musicians.
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