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Do we really need a million songs in our pocket? How about a couple dozen really good ones that are well recorded and properly mastered?
In a mathematically, theoretically perfect world everything works best if it’s all nice and parallel; however that’s not the world we live in.
A in-depth, behind-the-scenes look at the painstaking preparation required in the runup to a nationally broadcast live music event.
Consider that the wireless gear may actually be working too well and covering over an error in setup, system design, frequency coordination and/or deployment.
The same person will always play an impactful role in the mission: the mix engineer. But how? What are some practical and intentional ways to do it? Here are some key places of focus.
As an audio educator, one might expect the author to weigh in strongly on the “pro” side of the equation – but as with many things in life, it’s not quite that simple…
Five problems that the author — a veteran live engineer — has encountered at gigs. as well as some suggestions for how they can be avoided.
Clarifying “FFT vs RTA vs transfer function” along with “frequency response vs magnitude response” and several other areas sometimes misunderstood.
Presenting beautifully blended vocal harmonies through a PA can be the icing on the cake of a quality mix
