Behind the scenes on broadcast audio for the NFL, including mixing in the truck, A2 work in the field, RF coordination, parabolic mics, and ...read more →
Discusses his work with the Grammy-winning country music group, his progression of consoles, how he manages a 96-input show and more, including the origin ...read more →
Discusses the back story on how he got into audio and what lead him to work with the band Lawrence as well as mixing ...read more →
How to overcome audio challenges "in the moment," the advantages of in-ear monitoring, a process for mentoring up-and-coming audio techs and much more.
Talks about the expectation of "record quality" mixes coming out of live consoles even when we're not "studio engineers," and more.
Discusses the relationship of support acts with headliners, pulling double duty as tour manager and front of house engineer on the same tour, and ...read more →
Talks about how he takes cues from live sound for his studio mixes and production techniques, what it's like to hear the music he ...read more →
Talks about his mixing approach, adapting techniques to different genres of music, bouncing between touring and house of worship work, and more.
Noted front of house engineer talks about how the current James Taylor tour is going, shares some of his approaches to mixing, and discusses ...read more →
The hosts are in the same room for the first time, and joined by several guests, they talk about getting the most out of ...read more →
Noted mix engineers discuss live multi-track recording, including the importance of always recording on tour because you never know when that "magic moment" will ...read more →
Touring engineer who got his start at the Viper Room in LA talks about "cutting your teeth" and working your way up in club ...read more →
Marketing director of Allen & Heath USA talks about what the future of mixing technology might look like given all the recent technological advances.
Discusses building teamwork and communication both within media and tech teams as well as with the musicians on stage. What does good communication look ...read more →
Clarifying aux-fed subs, different sub feeds and time aligning inputs as well as providing some actual target numbers for streaming loudness.
A discussion recorded at the show in Dallas about how the conference was going, the value of trade shows in general, making the most ...read more →
Veteran worship tech/engineer and integrator does a dive into mix buses – what they are, why and when to use them, and more.
Event producer, audio engineer, and all-around "AV unicorn" discusses the changing virtual world, the impact of hybrid production, good practices and more.
Host Samantha Potter is joined by some familiar friends from the world of Church Sound for an "Ask The Experts" session to talk about ...read more →
There aren't too many techs that join a house of worship for a "trough of money" -- so why do they do what they ...read more →
What audio leadership looks like, the biggest potholes for tech teams, and how to prepare to walk up to any console and be ready ...read more →
Revisiting one of the first episodes of the popular Signal To Noise Podcast - all about church sound!
What are comms? Why should we have them? Learn the key aspects of comms and how to start implementing them with your team.
System tech/engineer and technical editor discusses what SPL means for sound engineers, how we can measure it, and understanding its consequences.
In Episode 16, Russ is joined by Sound Engineer Tee-Cee Bailey, a 26-year industry veteran who has been the primary monitor engineer for Trisha ...read more →
Host Russ Long talks live with FOH engineer Todd Wines and monitor engineer Josh Hughes on ProSoundWeb YouTube and Facebook in an engaging conversation ...read more →
Four veteran sound engineers to highlight the importance of paying attention to and understanding every component in a sound system signal chain.
FOH engineer Todd Wines and MON engineer Josh Hughes join host Russ Long for what's sure to be a lively, informative conversation followed by ...read more →
Four veteran engineers discuss mix strategies and how two sides of the same coin successfully come together.
In Episode 12, Russ is joined by FOH engineer Chris Taylor, an industry veteran who has mixed a variety of tours including Amy Grant, ...read more →
In Episode 11, Russ is joined by freelance live and mix engineer Logan Hanna, who has mixed for Hank 3, Frankie Ballard, The Wild ...read more →
In Episode 10, Russ is joined by monitor engineer Robert Bull, who over the course of more than 20 years has been on the ...read more →
Four veteran engineers discuss mix strategies and how two sides of the same coin successfully come together.
In Episode 9, Russ Long is joined by live sound engineer Jon Schwarz, who has worked with artists and events over the course of ...read more →
Russ Long is joined by FOH engineer Matt Herr, who's worked with Clair Global for almost three decades and has spent the past 18 ...read more →
Russ Long is joined by pro audio veteran Dan Heins, whose diverse resume includes a long-time role as FOH engineer for country superstar Garth ...read more →
The next stop on the drum kit line check focuses on cymbal selection, microphones and mic positioning, processing, and a whole lot more.
The drum kit line check rolls along with guest Emmanuel “E-MAN” Cervantes joining the show to provide a deep dive on the next set ...read more →
The line check moves along to input number 2 – snare drum – focusing on drum sizes, heads, tuning, microphone positions and processing.
Take a deep dive into drum sizes, heads, tuning, mics, EQ, dynamics and more in an entire episode dedicated to the biggest drum.
Some of the options and tools available to mix engineers to get the most out of a system that's "too small for the gig."
Talking with the noted mix engineer about perspective, what to pay attention to, the path that has led him to mixing some of the ...read more →
What can I do to make live mixes feel "louder" without actually just turning them up? And what about streaming mixes?
What happens when you simply don't have enough hands to make the changes from song-to-song quickly enough?
Steps that can be taken in advance to avoid feedback in the first place as well as common scenarios where practitioners should focus their ...read more →
A look at the causes of feedback, the most likely sources, how to tell where it's coming from, tools to combat it and more.