How to set up outputs in a rig, prioritizing sounds, the difference between monitors and FOH, managing these lines during line check – and specific things to make it work optimally for you.

Optimally capturing and presenting the sound of these instruments in addition to focusing on EQ, dynamics processing, saturation and much more.

Digging into the uses of grouping for drums, bass and other instruments, when to deploy this routing and the benefits it provides, processing that might be used on a group versus a channel, and much more.

Addressing an often-overlooked input, including EQ, dynamics processing, saturation and more, along with how the subwoofer-to-mains-to-room relationship can impact the sound of bass guitar.

Effectively capturing and processing guitar tones, including microphone selection and placement as well as what to do when working with a single player as opposed to two or three, and more.

The next stop on the drum kit line check focuses on cymbal selection, microphones and mic positioning, processing, and a whole lot more.

The drum kit line check rolls along with guest Emmanuel “E-MAN” Cervantes joining the show to provide a deep dive on the next set of inputs: Toms.