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Working toward a doable solution, because in the field there’s usually neither the time nor the resources to compensate for inevitable deviations.
After the “right” system has been selected for an event, do mix engineers have any guarantee that they can begin the day’s work from a neutral starting point?
Addressing the transition into more long-term streaming options, using a DAW to mix streams, and getting started with system tuning.
Continuing the conversation on the spectral response of sound systems, this time focusing on some of the technical justifications for choosing a specific direction.
Though it’s immediately obvious that masks deaden sound coming from our mouths, the author wanted to objectively evaluate the effect. Here’s what he found…
Since every frequency present plays some role in defining the overall shape of the composite signal, we can’t change one without changing the whole.
Our mind’s ability to recognize, learn and store good, bad and unusual sounds is the mental gateway to the audio mixing craft.
Attaining accurate frequency response data from headphones and in-ear monitors has long been a ‘missing link’ in a quality monitoring signal chain.
Using these “truth tellers” to address some common system tuning problems.
