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“It’s more than pushing faders. It’s understanding the ministry component to what we do. But that’s always been my approach to mixing – that I’m the extended voice of the artist.” – Jason Reynolds
An approach that’s informed by the knowledge he’s gained in every role he’s taken on in the industry as a musician and audio engineer.
With more than 15 years in pro audio, she talks about her work with Clair Global in Nashville, her start in the business, key milestones along the way and offers a range of additional insights.
A considered approach in addressing a challenging environment for reinforced events with the goal of significantly improved consistency in both level and tone.
In a sign that the promise of live gigs actually starting to come back is becoming a reality, here’s the system and sound crew approach for a recent three-day event in Hamilton.
While Seggewiss finds herself at present, like so many others, living an utterly different reality than normal, the ethic she’s adhered to from the very beginning of her career applies just as much in this situation as it did at her first house gig or on the road.
Recognizing the pandemic-fueled change from in-person business interactions to the virtual realm and acting on the opportunity to bring higher production values to the online world.
Over the course of a very short time, went from carrying a compact console from show-to-show as checked luggage to mixing in the biggest arenas in the world.
An unquenchable thirst for knowledge, a tireless pursuit of technical excellence, and a heart to serve.
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