Supported By
Checking in with the sound team about its workflows and approaches, adapting during the pandemic, the road forward and more.
The career path and experiences of Brooklyn-based audio engineer, tour manager and composer/musician who keeps exploring new directions.
Backed by a forward-looking business model, an experienced tech crew manages the venue’s high-quality sound and lighting systems while streaming performances to a growing remote audience.
Facing the pandemic, Chicago-based touring professionals Jimmy Ibanez and Rick Roman generate a new avenue in channeling their time and energy into Backstage Coffee Roasters (BCR).
More than 200 converge in a small Michigan town for a live concert featuring locally based musicians, with engineer Paul Klimson on the mix.
Drawing on a deep well of faith and building an extensive set of skills as both a musician and an audio professional.
Building on decades of experience to propel original directions in audio education, system design, and unique product development. So what’s next?
“It’s more than pushing faders. It’s understanding the ministry component to what we do. But that’s always been my approach to mixing – that I’m the extended voice of the artist.” – Jason Reynolds
An approach that’s informed by the knowledge he’s gained in every role he’s taken on in the industry as a musician and audio engineer.
