Catching up with the sound crew for a behind the scenes look at their approaches.
Investigating what happens to directivity when a cardioid sub is placed underneath a stage.
A “proof of concept” for a long-developing streamlined approach to event production.
Insights into overcoming the inaccuracy of quasi-anechoic techniques at low frequencies.
To specialize or not? That's a very good question...
"On one tour we walked away from an unsafe stage structure requesting the relevant people to amend the problem. We returned a couple of ...read more →
While you may be skilled at listening to the audio coming out of the monitors, how good are you at listening to the artist?
“To tilt or not to tilt? And if so, how much?” Gaining insights by focusing on the very critical crossover frequency area between the ...read more →
Looking at some of the mics in question and examining why we might (or might not) want to use a pre-EQ’d kick drum mic.
Holding the mic correctly and at an appropriate distance, singing consistently -- even in sound check -- and more.
Can RTA response change depending on how you hold the phone?
It's easy to blame the previous sound system designer for the problems when we don't know the whole story.