Study Hall
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Testing to debunk the myth that air gaps larger than one inch aren't helpful for panels mounted flat on a wall or hung below ...read more →
With wireless system use growing and the spectrum shrinking, frequency coordinators at shows/events are increasingly common – here’s what to know about working with ...read more →
There's really no such thing as a "typical" event when working with different artists, different styles of music, and different technical situations.
Looking into a technique that can provide a whole new palette of tonal colors, especially when mixing in stereo.
With its limited frequency response and relatively high price when new, it's no wonder that the M-191 didn't become a staple of stage and ...read more →
In your mixing workflow do you tend to use subgroups, VCAs, or both? How do you tend to organize them, and what advantages are ...read more →
Using multiple time windows in a single measurement as a way to measure and optimize the response of a sound system in a room.
Understanding the various signal levels each component requires is key to successfully getting everything to "play nice" together within a system.
Our first question with every project: “What products and services are appropriate for the given application?”
Mute mixing, for lack of a better phrase, enables volume problems to be fixed, EQ oddities to be corrected, and the overall mix to ...read more →
Defining different protocols and looking at their advantages (and disadvantages) with an eye on the future of audio networking.
"Forget EQ. forget FX, forget gain – I was just trying to find inputs, which were in no recognizable order anywhere on the console."
