A conversation with Dr. Kelvin King, an assistant professor of Digital Misinformation at Syracuse University’s School of Information Studies, that lends clarity to several ...read more →
The functionality and aesthetics of a cardioid dynamic design with a non-metallic diaphragm.
Our panel of audio professionals weighs in with some thoughts and experiences on the matter...
A methodical approach to keep in mind whether you’re an audio engineering student or a veteran engineer looking to sharpen your skills.
Three key factors in creating a good snare drum sound in the mix. Hint: It usually doesn't start at the mixing console.
The challenge is defining what actually constitutes “good” sound, and the various ways we can actually know that it is (or isn't).
While one of the most common uses of HPF has traditionally been to combat unwanted proximity effect, there are other applications and benefits of ...read more →
A collection of monitor approaches the author's accumulated over the years, including placement, cable choices, optimizing side fills and more.
A pragmatic look at what's involved in this profession – almost everything you'll ever do in sound can be broken down into four foundational ...read more →
Opposing subs can create what's termed a “power alley” – regions where low-frequency energy is too hot. Here's a quick explanation and a few ...read more →
A way to meet a common challenge presented by drum kits to attain better consistency in both live and streaming mixes.
Opting for default settings might work in many cases, but sometimes it won’t provide that little extra something that you’re probably looking for.
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