We knew there would be new challenges in the post-pandemic era, and many more unforeseen challenges have arisen. So, what can we do? We’re all in this together, so how can we help turn this around?
Ruminations on what makes people, gear and procedures stand above in professional audio.
Veteran engineers and technicians share their approaches and techniques for capturing live drum sounds when time and/or resources are limited.
Approaches for guitars and bass of both electric and acoustic varieties as well as piano and more.
One of the most important qualities of great sound engineers is not only trying to prevent issues from happening, but also how quickly and efficiently they can resolve problems.
Touring or local, it comes down to looking at both sides of the equation and an overall bottom line that should be “mutual respect.” Here are some key things that can help in making that happen.
When your mic stands are walking, talking human beings, mic technique and etiquette can collide — a long-practicing audio veteran provides key points and approaches to keep in mind.
I often hear people talk about touring in terms of their job and technical skill set but there are so many other non-technical aspects of touring, and here’s what I’ve learned so far.
Sorting out the many (many) factors to account for in the sometimes tricky world of stage monitors.
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