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Using what’s available to the maximum benefit of the sound design, with the author detailing that process in a recent production.
A word of encouragement goes a long way. It feels incredibly good to both parties, and it’s basically free.
Active or passive? What about tubes? Using to jacks on a DI to sum?
Split a signal into two lines? OK. Mix two signals into one? Nope
A primer on the path to success in working with the stage side of the equation
Some friendly guidance for those in change of making logistical decisions at events.
“There’s only so much we can do, but let’s not be the reason the audience leaves.”
“The engineering behind the execution of the sound design may be limited by your budget, but the budget should not limit your creativity.” — Part 2 in a series
A step-by-step primer for success from a veteran of more than 960 episodes of Late Night With Jimmy Fallon.
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