Meeting The Challenge: Delivering Quality Theatre Sound On A Very Tight Budget
Part 1 of a series on making it work despite ever-present financial challenges.
November 11, 2019
Stagecraft & Best Practices
Supported By
Supported By
Part 1 of a series on making it work despite ever-present financial challenges.
What every aspiring A2 working in the world of corporate audio should know.
A “proof of concept” for a long-developing streamlined approach to event production.
“On one tour we walked away from an unsafe stage structure requesting the relevant people to amend the problem. We returned a couple of hours later to find no change except for a dead chicken alongside some incense and flowers at center stage.”
Looking at some of the mics in question and examining why we might (or might not) want to use a pre-EQ’d kick drum mic.
Holding the mic correctly and at an appropriate distance, singing consistently — even in sound check — and more.
Running sound for worship services can be tough. You might not have a lot of practical experience. Maybe the entire crew is made up of
Here’s a quick “checkup” tuning on a basic flown left-right point source rig in a small black box theater. I was on the site working
Depending on venue size, event type, and personal preference, different techniques may be appropriate. Here we go through them…
Celebrating over 50 years of audio excellence worldwide, Audio-Technica is a leading innovator in transducer technology, renowned for the design and manufacture of microphones, wireless microphones, headphones, mixers, and electronics for the audio industry.