Boots On The Ground: Life As A Long-Time Local Audio Professional
The “ins and outs” of local-based audio work in a variety of roles – and on an even wider variety of gigs.
March 24, 2020
Stagecraft & Best Practices
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The “ins and outs” of local-based audio work in a variety of roles – and on an even wider variety of gigs.
Our panel of audio veterans on getting a better handle on “those things with strings.”
Although being a “Lone Audio Ranger” can be trying at times, you have the unique freedom to create solutions work best for you – and it can be quite rewarding.
It can be a simple matter or a more detailed procedure ranging from system tuning through line checks and more.
The first question to ask: Do I really need overheads? Yet it’s not quite that simple…
Editor’s Note: Eric Ferguson’s latest article, “Simple Yet Vital” posted on PSW and also featured in January LSI, details best practices with input lists and stage plots. It obviously struck a chord with several readers, who reached out to Eric with their thoughts on the topic. We’re pleased to share them here.
“No two of us have the same tools, although there will always be the crescent wrench and multitool in common. I suppose it’s because of the difference in how we view our world or how we approach our work.” Plus related video from DcSoundOp.
Ideas on capturing acoustic and electric guitar, upright and electric bass, horns, and vocals.
Developing long-term relationships in the “gear game” is a two-way street of giving and getting…
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