Supported By
Working with a young team in addressing some of the unforeseen challenges involved with taking a traditionally acoustic genre into a natural amphitheater configuration.
Even though two-channel designs are the most popular form factor, the majority of sound reinforcement systems aren’t stereo. But having two amplifier channels in the same box can provide some other benefits. So, “What’s the carrot?”
A look at some prime decision-making examples demonstrating that the three concepts are highly interdependent.
Examining the necessity of adding delay loudspeakers to sound reinforcement systems.
Backed by a forward-looking business model, an experienced tech crew manages the venue’s high-quality sound and lighting systems while streaming performances to a growing remote audience.
Our panel of PSW veteran audio professionals discuss their “desert island” gear choices– hardware and software – to carry to events.
An in-depth look at the house sound reinforcement system, components and approach for a large-scale concert more than 40 years ago.
Working toward a doable solution, because in the field there’s usually neither the time nor the resources to compensate for inevitable deviations.
There’s no slowdown in the demand for expertly engineered audio in exhibition spaces – if anything, it’s become even more critical.
