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“The engineering behind the execution of the sound design may be limited by your budget, but the budget should not limit your creativity.” — Part 2 in a series
Arranging and optimizing an 8-channel system to meet the unique needs of a touring production.
The approach to addressing challenges along the way within constantly changing environments and tight timeframes
Paying as much attention to what comes off the backs of the loudspeakers as what comes out the front.
The only thing constant is change — being consistently aware of it is key…
Getting the essentials right before even thinking about the extras…
Wide-ranging discussion includes look at logistics and designs considerations of L-ISA immersive technology.
Part 1 of a series on making it work despite ever-present financial challenges.
Is our show file, created after weeks (or months or years) of rehearsals and shows – and with all of our intellectual knowledge and experience – our property or the property of the band? Plus, an attorney weighs in on the question as well.
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