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Common problems fall into three categories: volume, EQ, and OOMC, short for “Out Of My Control” – here are some straightforward approaches to deal with them.
Creating an accurate translation of instruments for a large experience, like the PA isn’t there and the band is playing just for the fan.
Avoiding the “add-ons,” the extra ingredients meant to improve the flavor of one or more parts of the mix but instead spoil the whole dish.
Addressing a key factor that can compromise streaming audio quality, options with networking, and optimizing equalization in the mix.
One of the most overlooked techniques is using equalization to add size to an element, which is particularly important in sparse mixes.
Tackling inverted frequency response, lavalier microphone challenges, and the old “egg crates as acoustic treatment” trick.
Experience with gear and software is very important, but one skill that’s sometimes overlooked – yet takes years to master – is the art of listening.
Some brief general guidelines that can be a big help, especially for those new to the process…
Either mixing too loudly or too quietly can fool our ears…
