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“To tilt or not to tilt? And if so, how much?” Gaining insights by focusing on the very critical crossover frequency area between the subs and the low-end of the main PA.
To fully take advantage of the benefits of equalization, we must fully comprehend how to identify the mechanisms that “unequalize” the system.
A few simple compression and EQ techniques can help in getting all of the parts of a mix to fit nicely…
Creating an accurate translation of instruments for a large experience, like the PA isn’t there and the band is playing just for the fan.
One of the most overlooked technique is using the EQ to add size to an element, which is particularly important in sparse mixes.
If you ask 10 audio practitioners this simple question, you’re likely to get 10 different answers…
While some prefer to let the new “automated” gear do the lion’s share of the EQ setup, others may prefer to go more by ear.
What if the EQ isn’t doing what we think it is? Wouldn’t it be in our best interest to know that, to avoid throwing off our carefully calibrated ears?
Looking into a simple technique to properly balance and equalize a full drum kit in a live mixing environment.
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