Understanding the musical genre as well as your band will dictate whether that percussion sound is subtle or dominant. This is where your own artistry can shine. Here are some thoughts on the topic and approaches…
“To tilt or not to tilt? And if so, how much?” Gaining insights by focusing on the very critical crossover frequency area between the subs and the low-end of the main PA.
Delving into this sometimes divisive topic, presenting positives for both sides along with a workaround.
The value of thinking about – and looking at – the mix in a graphical way. Anything that can help us visualize sonic concepts can enable us to better understand the nature of the mix and produce consistently high-quality results.
Testing a hypothesis that a good result could be attained by using all-pass filters to align the show’s low-frequency energy by placing them on the mains and sub.
The story of how I came to conquer a beast that stalks all live events, wrenching both the audience and the performers out of the moment.
Setting up spectrum brackets around each drum input that can go a long way in cleaning up the sound of the entire kit due to less low-frequency leakage into the high mics and vice versa.
Tips, strategies, and workflows to work through a complete system alignment while saving valuable time.
Common problems fall into three categories: volume, EQ, and OOMC, short for “Out Of My Control” – here are some straightforward approaches to deal with them.
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