“To tilt or not to tilt? And if so, how much?” Gaining insights by focusing on the very critical crossover frequency area between the subs and the low-end of the main PA.
Delving into this sometimes divisive topic, presenting positives for both sides along with a workaround.
The value of thinking about – and looking at – the mix in a graphical way. Anything that can help us visualize sonic concepts can enable us to better understand the nature of the mix and produce consistently high-quality results.
Testing a hypothesis that a good result could be attained by using all-pass filters to align the show’s low-frequency energy by placing them on the mains and sub.
The story of how I came to conquer a beast that stalks all live events, wrenching both the audience and the performers out of the moment.
Setting up spectrum brackets around each drum input that can go a long way in cleaning up the sound of the entire kit due to less low-frequency leakage into the high mics and vice versa.
Tips, strategies, and workflows to work through a complete system alignment while saving valuable time.
Common problems fall into three categories: volume, EQ, and OOMC, short for “Out Of My Control” – here are some straightforward approaches to deal with them.
Avoiding the “add-ons,” the extra ingredients meant to improve the flavor of one or more parts of the mix but instead spoil the whole dish.
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