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The level at which audio is being streamed and the effects the dynamics have on it are important but often overlooked. This overview provides some clarification in attaining the desired result.
A “low-tech” approach in recording basic show file values in such a way that they can be translated to any console, leaving more time for the all-important finessing of the mix.
What it was like going from no compressor to one compressor versus today’s reality wherein even some very cost-effective consoles have a compressor on every channel and every output.
In your mixing workflow do you tend to use subgroups, VCAs, or both? How do you tend to organize them, and what advantages are afforded by that workflow?
Mute mixing, for lack of a better phrase, enables volume problems to be fixed, EQ oddities to be corrected, and the overall mix to be improved.
If we truly want every detail of the performance to shine through, there could be a different approach than the one we’re typically using right now.
From saving the show to providing additional options to enhance a presentation, and much more…
Five problems that the author — a veteran live engineer — has encountered at gigs. as well as some suggestions for how they can be avoided.
Techniques for building digital console show files to make often-used controls and functions accessible in three moves or less.
