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A range of veteran audio professionals weigh in on a wide swath of various things they’ll be doing (and thinking about) as they get back in the saddle…
Why would anyone want to spend money on an external preamp, let alone several? Here are some reasons why…
Attaining tonally balanced mixes, properly addressing gain structure issues, accounting for what’s happening with “the room versus the stream” and more.
A matrix is actually not any more complicated than an auxiliary bus, so if you understand auxes, you can understand a matrix. Here’s the scoop.
Three key factors in creating a good snare drum sound in the mix. Hint: It usually doesn’t start at the mixing console.
An early-career epiphany about the actual source of vocal harmonic discordance that has stuck with the author through the years.
Inside some of the techniques to help front-of-house mixers change perspective and upgrade their streaming mix activities.
Is there some sort of rule/equation about how far apart and at what distance something feels like stereo or mono?
Singers produce a range of sounds, good and bad, and no two voices are alike – the good news is that focusing on the following areas can take a lot of the hassle out of the process.
Church Audio Tech Training Available Through Church Sound University. Find Out More!