Supported By
“Inspired music and fabulous musicians – that’s the reason I do what I do… and if any of their production managers are
reading, let’s talk!” — Becky Pell
The approach to addressing challenges along the way within constantly changing environments and tight timeframes
Five problems that the author — a veteran live engineer — has encountered at gigs. as well as some suggestions for how they can be avoided.
Is our show file, created after weeks (or months or years) of rehearsals and shows – and with all of our intellectual knowledge and experience – our property or the property of the band? Plus, an attorney weighs in on the question as well.
The author, with enough training in both fields, finds interesting comparisons between the two.
Dear Casey – I am having issues trying to get my mix big sounding every Sunday. I want a huge sounding mix. How do I
Running sound for worship services can be tough. You might not have a lot of practical experience. Maybe the entire crew is made up of
Getting beyond the anxiety of mixing a worship service with a simple but vital rule…
A step-by-step look at how to properly and thoroughly tidy up large-frame consoles, plus a handy console troubleshooting guide.
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