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Avoiding the “add-ons,” the extra ingredients meant to improve the flavor of one or more parts of the mix but instead spoil the whole dish.
Investigating timing issues as well as frequency response magnitude, frequency response phase, EMI susceptibility, common-mode rejection ratio (CMRR) with a lineup of mixers.
Developing the ability to identify, balance, and adjust specific individual sounds within a mix to shape the overall image.
Borrowing some concepts and techniques from the studio to improve the live side of things…
The high-pass filter does just what it sounds like – it lets high frequencies pass while blocking lows. Here’s how to maximize the effectiveness of this valuable function.
Addressing one of the most-asked-about topics in audio as well as a focus on an ongoing area of high interest and effective ways to say “thank you” to the tech team.
Addressing everything that happens in the mix between the foundation and the vocals, which is extremely important if you want the song to sound musical and powerful.
The difference between VCAs and subgroups becomes important when we have individual channels routed to different destinations.
A change in console platform and implementing a move to a more subgroup-centric style of mixing.
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