The Art Of Snare Drum Mixing… And A Frog
Three key factors in creating a good snare drum sound in the mix. Hint: It usually doesn’t start at the mixing console.
Three key factors in creating a good snare drum sound in the mix. Hint: It usually doesn’t start at the mixing console.
While one of the most common uses of HPF has traditionally been to combat unwanted proximity effect, there are other applications and benefits of one of the most under-utilized features on the console.
An overview of each technique developed by the author that can provide small subtleties to make the mix just a bit better, step by step.
Bregenz Open Acoustics 2.0 marks not just an evolution, but a complete re-imagining of the sound system, a testament to the festival team’s dedication to crafting an acoustic masterpiece that continues to captivate audiences year after year.
A powerful, pristine mix doesn’t always have to be about loud, louder and loudest.
Evaluating a recently released compact mixer platform.
Creating an accurate translation of instruments for a larger experience, as though the PA isn’t there and the band is playing just for the fans.
Our panel of audio veterans on getting a better handle on “those things with strings.”
Deployed correctly and they’re great, particularly with drums. Deployed incorrectly, however, and a mess can ensue…
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