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Finding a way to pack numerous sonic improvements into a simplified version of a showfile to make it more approachable for a fill-in operator.
“Try thinking about which frequency ranges are most critical to the sound of each instrument, and remove what’s not as important with your channel EQ.”
If you can influence sound sources in ways that sit better in a mix and support the entire sonic image, it can minimize challenges down the line.
Creating an accurate translation of instruments for a large experience, like the PA isn’t there and the band is playing just for the fan.
A “seasoned” engineer shares a process for stripping things down, stepping back, and re-evaluating the mix process.
A range of veteran audio professionals weigh in on a wide swath of various things they’ll be doing (and thinking about) as they get back in the saddle…
Why would anyone want to spend money on an external preamp, let alone several? Here are some reasons why…
Attaining tonally balanced mixes, properly addressing gain structure issues, accounting for what’s happening with “the room versus the stream” and more.
A matrix is actually not any more complicated than an auxiliary bus, so if you understand auxes, you can understand a matrix. Here’s the scoop.
