Attaining tonally balanced mixes, properly addressing gain structure issues, accounting for what’s happening with “the room versus the stream” and more.
A matrix is actually not any more complicated than an auxiliary bus, so if you understand auxes, you can understand a matrix. Here’s the scoop.
An early-career epiphany about the actual source of vocal harmonic discordance that has stuck with the author through the years.
Inside some of the techniques to help front-of-house mixers change perspective and upgrade their streaming mix activities.
Singers produce a range of sounds, good and bad, and no two voices are alike – the good news is that focusing on the following areas can take a lot of the hassle out of the process.
They’re a great tool, allowing us to be efficient and fast in addition to provide opportunity to reflect on our workflow and come up with ways of making it even better.