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When two signals are combining at the same level but with different timing in a bus or a loudspeaker, the result will be comb filtering upon the combination. To avoid this, the two signals must be corrected to arrive in time with each other. Here’s a way to do it.
“Try thinking about which frequency ranges are most critical to the sound of each instrument, and remove what’s not as important with your channel EQ.”
Why would anyone want to spend money on an external preamp, let alone several? Here are some reasons why…
“The measured and considered improvement over time in this case has led to a situation that gives me better results with fewer compromises.”
It requires a different mindset, kind of like playing chess against multiple opponents.
Simple methods for capturing quality results with portable recorders
Using what’s available to the maximum benefit of the sound design, with the author detailing that process in a recent production.
Behind the scenes on an audio approach that’s loud, proud, and unmediated.
Delving into this sometimes divisive topic, presenting positives for both sides along with a workaround.
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