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The goal is not to see how many ways the hair can be split –we simply want to make sure that the reader is getting good information.
Addressing common confusion about compression – in the context of live sound – as processing that’s used to reduce the dynamic range of the signal.
At its most fundamental level, effective acoustic design must start with these basic feasibility questions: Where can we put it? What does it look like? How much does it cost?
Maybe we’re not always aware of our own limitations or how our perceptions can affect our interactions with others. (Perish the thought!)
Investigating by measuring polar plots, directivity index, relative frequency responses at different angles and the change in frequency response.
Approaches and suggestion for mitigating the substandard sound quality provided by online media/communication formats.
Clearing the air regarding a myth that dates back to at least 1938…
After battling hum, buzz, hiss and hash for more than 45 years, the author offers his observations on these nuisances and what to do about them.
Responding to ridiculous statements with diplomacy, wisdom, and occasionally… physics.
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