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Attaining tonally balanced mixes, properly addressing gain structure issues, accounting for what’s happening with “the room versus the stream” and more.
Key aspects that result in better mixes, with more gain before feedback and improved coverage – the magic won’t happen without understanding the basics.
Examining how one can achieve “Good” to “Optimum” T60SR6 (T60 Slope Ratio) scores in any performance venue.
Three days, from a flying start, many bands, several hundred RF frequencies over what turned out to be not two but four stages, add a roving ENG crew into the mix, and the game is on…
A matrix is actually not any more complicated than an auxiliary bus, so if you understand auxes, you can understand a matrix. Here’s the scoop.
Three key factors in creating a good snare drum sound in the mix. Hint: It usually doesn’t start at the mixing console.
Why condenser mics need power in order to operate as well as key factors in how they work and more.
It’s up to sound techs – and musicians – to make sure a guitar or microphone is never electrified due to poor maintenance, bad connections or a broken-off ground plug.
Matching loudspeaker coverage shape to the audience shape — the audience shape is visible, the loudspeaker coverage, not so much…
