Microfiles: The Primo UD-863, A Distinctive (Looking) Microphone Circa The 1960s
The functionality and aesthetics of a cardioid dynamic design with a non-metallic diaphragm.
The functionality and aesthetics of a cardioid dynamic design with a non-metallic diaphragm.
A look at several techniques for capturing the sound of the snare, along with addressing other factors that can have an impact.
Going beyond the traditional flow chart components of signal flow and considering the other variables involved in reinforcing music for a live performance.
Condenser mics are wonderful tools, but as with everything else in the audio toolbox, they must be matched to the task for best results. Hopefully, clearing up these five misconceptions will ensure a better result the next time.
With their small size and light weight, they can be problem solvers in a wide range of situations on stage…
Approaches to help in controlling feedback and leakage as well as fostering delivery of cleaner, more natural sound to the audience.
A dynamic design from a Japan-based manufacturer with switchable impedance via a high/low switch mounted under the head with impedance stated as “Hi-50K Ohms, Lo-600 Ohms.”
Interviews with producer-engineer Rob Fraboni and promoter Dick LaPalm on the recording sessions for a legendary album…
There are more factors in play in the process than at first might be readily apparent…
Capturing clean vocals, and vocals with acoustic guitars, with large diaphragm condenser mics in home and smaller studios as well as in the live sound realm.
If you’re looking for an earthy, realistic kit sound that can easily be manipulated, try this out…
Fortunately, a lot of these problems are relatively simple to solve. It’s just a matter of identification and appropriate action.
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