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One of the new Audient ASP8024 Heritage Edition consoles in place at the studio of the Liverpool Institute for Performing Arts in England.

Liverpool Institute For Performing Arts Takes Delivers Of Third Pair Of Audient Consoles

Educational institution in England that offers numerous BA degrees in a range of performing arts fields adds two new ASP8024 Heritage Edition desks in kicking off a refresh of its studio facilities.

Audient has announced that two new ASP8024 Heritage Edition consoles have been installed at the Liverpool Institute for Performing Arts (LIPA) in England — the third pair of large-format Audient desks at the insititution — just in time for the start of the new term.

This purchase is part of phase one of an ongoing refresh of the studio facilities at LIPA, with offers 11 full-time BA degrees in a range of fields across the performing arts. “Obviously returning students feel right at home, with nothing significantly different to learn, just some great new features to explore,” says LIPA head of sound technology Jon Thornton.

The ASP8024-HE was designed to produce the same sonic performance as the original Audient console design from 1997, with key improvements that include Vintage Mix Bus processing, John Hardy Op Amps on the mix bus output, new additions to the Mix Bus Compressor, and more. Since their arrival, Thornton has been experimenting with the new features.

“Obviously the ‘Retro Iron’ feature is the most obvious difference with the Heritage Edition version, and it’s far more obvious sonically than I was expecting it to be — in a good way. But it’s some of the little things I like most,” he says. “The new monitor pot is gorgeous, the reworked labelling is very clear and I love the footswitch capability for talkback.”

There are already a few plans for the next phase of the LIPA studios refit. “We’ll be incorporating a control surface into one of the new consoles to give a ‘hybrid’ approach to tracking and mixing,” Thornton explains. “Over next summer we’re planning to completely refresh the furniture, layout and interior finish of the two rooms. They are substantively the same as when we opened 26 years ago and have worn really well, but could do with a bit of updating, with the new HEs taking center stage.

“At the same time we’re planning to make one of the studios Atmos capable, with a focus for Atmos for music. That will then give us our second Dolby Atmos studio to meet the growing interest in this area.”

LIPA students have been learning on Audient desks for two decades now, with Thornton well-versed in using them as a teaching aid. “So many reasons,” he notes. “Firstly, the desk itself is still the best thing out there for teaching at entry level — with its layout, space and logical signal path, there really isn’t anything else that competes in my view. “And they are rugged. Our studios are in use 24–7, and the desks have no problem handling that level of use, for over a decade in the case of the last pair. Finally, the company and the people have always been super-helpful, and the relationship is maintained well beyond the initial purchase.”

Audient

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