Lynx Aurora 16-VT Adds Variable Trim Option To AD/DA Converter
Aurora 16-VT allows users to manually set the analog input and output levels within a range of +8.5 dBu to +24 dBu
Aurora 16-VT allows users to manually set the analog input and output levels within a range of +8.5 dBu to +24 dBu
The Yamaha MY8-SDI-D enables the input of HD-SDI embedded audio signals directly to the host Yamaha digital console or DME (Digital Mix Engine).
Nearly 200 Community Professional R.5-66T ceiling speakers throughout the venue
Sound quality and ease of operation provide versatility for performing arts facility
Combining RSS V-Mixing Systems and digital snakes with SONAR V-Studio 700 makes for a fully-integrated end-to-end solution that takes productions from live events through post production and delivery
ESI Audio, formerly known as E-Tech Systems of Tampa, deployed most of its 72 NEXO GEO-T line array boxes at more than 10 pregame parties and rallies, and many of these events also utilized Yamaha consoles.
The new SKM 2020-D-US microphone joins the HDE 2020-D-US stethoset receiver, the SK 2020-D-US body-pack transmitter and the EZL 2020 portable charger case.
Providing performing musicians with very high sound quality and flexibility in their individual stage mix, the M-48 offers control over 40 audio sources that can be easily managed in 16 assignable stereo groups.
“I found a new 500 Series frame size compressor from Dramastic Audio, which, if it sounds as good as their regular rack unit, will be quite a hot product as well as a pleasant coup because…”
One of the latest engineers to take the Midas PRO6 out is Paul ‘Pab’ Boothroyd, who’s midway through the AC/DC Black Ice world tour, with a PRO6 at front of house alongside the vintage Midas PRO40 he’s called back into service.
With 8 analog inputs and one ADAT output interface, the AB-8 is well suited for use in a wide variety of studio configurations
iZotope has updated and expanded Ozone’s processing algorithms, optimizing them for today’s low-latency DAW environments
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