Sometimes You Need To Be Able To Dance As Good As (Or Better) Than You Mix
What can we do to sort it out, meet needs, and help them put on the best performance possible?
What can we do to sort it out, meet needs, and help them put on the best performance possible?
The five most-read articles featured on ProSoundWeb for the month of November, plus some recommendations from the editor…
“Assisting” a wedding DJ with a 50/50 chance of either being the hero, or the whipping boy…
The aim is to attain the flattest frequency response possible to ensure the system can cope with the demands of a wide range of live presentations.
Ross Garfield shares techniques he uses to achieve the drum sounds on platinum recordings from Bruce Springsteen, Rod Stewart, Metallica, Dwight Yoakam, Red Hot Chili Peppers, Foo Fighters, Lenny Kravitiz, Michael Jackson and many, many more.
For the best results in audio mixing, context is vital. But can it be taught?
From the April 1987 issue of RE/P magazine, John Meyer discusses the industry, techniques, and predictions for the future.
A tale of tech support calls, training, and the associated comedy involved.
Keeping the room and microphone placement in mind to capture that perfect tone.
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