In The Studio: Using Multiband EQ To “Fix It In The Mix”
Try these suggestions, but then try something totally different. Innovate – don’t blindly follow…
Try these suggestions, but then try something totally different. Innovate – don’t blindly follow…
Bringing clarity to the terminology as well as outlining the pros and cons of each.
Analog tape is pretty much gone, but there are still ways to achieve the classic magnetic sound…
From the archives of the late, great Recording Engineer/Producer (RE/P) magazine comes a wealth of knowledge about reverb. (July/August 1979 issue)
We work with sound. We work with music. We work with feelings. We must arrive in the musical moment.
A step-by-step process of how to use timecode with a modern DAW, namely Pro Tools, to synchronize a tape machine to the Pro Tools transport for flawless audio transfer.
Explaining and exploring stereo recording microphone techniques, including coincident pairs, spaced pairs, near-coincident pairs, and baffled omni pairs.
Ultimately, you cannot completely avoid phase cancellation, you can only make sure it sounds as good as possible.
If you’re guilty of any (or all) of these, don’t worry. I am, too
A veteran who’s been on both sides offers experiences, observations and insights; being able to switch between them involves employing the appropriate mental skills and adapting to the context in which you’re working.
Often overlooked and/or misunderstood, the real secret is how much reverb to use and how to adjust its various parameters.
Because even expert mastering engineers can only accomplish so much…
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