In The Studio: How The Sync Head (And The Overdub) Changed Recording Forever
In the beginning there was no recorded music, then limited recording capability, and things have taken off from there in making a significant impact on how music is made.
In the beginning there was no recorded music, then limited recording capability, and things have taken off from there in making a significant impact on how music is made.
Each musician is different, and if you don’t figure out how to create a comfortable environment, the rest of the process is going to be difficult.
Capturing the right sound and feel in the most important session in the production cycle of a record…
A quick and methodical manner to track down and resolve that crazy audio that’s cracking up somewhere in your mix.
There is no one “right” idea that will work for vocals as a whole, it’s a matter of microphone approaches, multitracking vocals and stereo imaging, and much more to take into consideration.
Employing some relatively common techniques to provide listeners with cues that give the audio some space – in multiple dimensions – as they’re used to hearing it in real life.
Some brief general guidelines that can be a big help, especially for those new to the process…
The steps to improving our ability to discern what we want to hear and what we do not…
Upsides and downsides to both methods, as well as context of when to select one or the other…
Even in challenging situations, with a little bit of forward planning and careful preparation prior to show time you should still be able to produce a quality result for the audience.
A video and additional guidlines for a solution that keeps the levels from waking up the baby next door…
You never know unless you try, and you’ll never learn if you’re afraid of pushing buttons, turning knobs and putting a mic where it’s maybe never been placed before.
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