Church Sound: The Delicate Dance Between Engineer & Stage Team
Mixing worship is much more than turning knobs — it requires thick skin, a quick wit, and a sprinkling of political acumen…
Mixing worship is much more than turning knobs — it requires thick skin, a quick wit, and a sprinkling of political acumen…
Important points to keep in mind when you’re up to your neck in knobs and faders
After landing your “dream gig” is way, way, too late to start turning out your best work.
Looking back at the original plan and system for the 1958 show with headliners Billie Holiday, Dizzie Gillespie, Dave Brubeck, and Louis Armstrong.
A look at the history of stage monitors and the common issues they present, as well as some options for keeping things under control.
Sound engineer Francesco Rega chooses GLD-80 mixers with AR2412 remote IO racks at front of house and monitors for 30-date tour.
Deploying some DSP horsepower and test equipment to minimize problems
How loud should it be? A better question might be “How loud shouldn’t it be?”
It’s a much lighter load with homework and good work habits
Systems come in all shapes, sizes and price ranges. So how do we decide which is best?
Understanding the interaction between microphones and stage monitors to get more gain before feedback.
Is this evolving technology leading us towards our best mix ever?
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