In The Studio: Analog Tape Recording Basics And Getting “That Sound”
Analog tape is pretty much gone, but there are still ways to achieve the classic magnetic sound…
Analog tape is pretty much gone, but there are still ways to achieve the classic magnetic sound…
A step-by-step process of how to use timecode with a modern DAW, namely Pro Tools, to synchronize a tape machine to the Pro Tools transport for flawless audio transfer.
“Creative grouping and routing, combined with the use of ambient microphones placed onstage or at FOH, can result in some stellar live recordings that require little to no post processing.”
A collection of general theories, tips, and tricks that apply to most mix projects…
The best-case scenario is a thoughtful drummer that’s aware of the overall sound of the band, but if you don’t have that, here are some other options…
By eliminating seven characteristics of amateur mixes while emphasizing six elements of great ones, you may be be surprised at just how good a song can sound.
A brief and useful (but by no means comprehensive) look at some key developments along the path to modern desktop recording.
Creating a wide stereo spread based on the unique nuances in timing and dynamics…
Testing to debunk the myth that air gaps larger than one inch aren’t helpful for panels mounted flat on a wall or hung below a ceiling.
Success with creating a “bigger” sounding room by adding ambience to the room itself rather than adding a tacky effect to the recording.
With powerful mastering tools now available to everyone, sometimes it’s easier to do more harm than good when self-mastering. Here are some straightforward guidelines to help in attaining the desired result.
While digital audio workstations have fundamentally changed the way we make records, proper gain structure is no less critical to good recording. Here’s a primer…
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