Pulling The Drum Mix Together & Putting On The Finishing Touches
Like the foundation of a house, the drums are the foundation of a recording. On a strong foundation, you can build almost anything you or your clients can imagine.
Like the foundation of a house, the drums are the foundation of a recording. On a strong foundation, you can build almost anything you or your clients can imagine.
A few tricks for making those overhead microphones sound thicker and more natural.
Muscle Shoals from 1967-1980, one of the most fascinating and perhaps unbelievable stories in the history of pop music recording.
While simply EQing the bass high and the kick low (or the other way around) might work at it’s simplest, it’s best to have a more in-depth strategy, so consider the following.
Let the recorded material speak for itself or pocket each track?
Back by popular demand, here’s a discussion of the plate reverb, as well as precise instructions on building a plate reverb unit.
We tend to forget that people really do like the sound of compression – when it’s not used to excess.
Simple methods for capturing quality results with portable recorders
A setup that was far from ‘tried and true’ — I decided to stretch out and try alternative concepts…
Enhancing tone while helping to eliminate cabling noise. Plus, a new video has been added to the post providing further information.
A wealth of knowledge on live-end/dead-end acoustics from the June 1982 archives of the late, great Recording Engineer/Producer (RE/P) magazine.
Knowing not how gates work, not just how to use them, is key in crafting a quality mix.
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