In The Studio: 10 Questions To Ask During Preproduction
Anticipating and resolving common issues during the initial stages of recording to keep things moving and improving.
Anticipating and resolving common issues during the initial stages of recording to keep things moving and improving.
A “sound scientist” approach in bringing “dead” tracks back to life via re-amping, which takes an audio track that’s already been recorded and re-records it.
Something’s not right… The tracks just don’t pop the way they do in your imagination… What could it be?
From being immersed in the world of studio recording and editing for music in her native Brazil to working in the U.S. in high-end film and broadcast audio, she continues to grow and go new directions.
A live recording is all about the energy of the event, and that energy comes from the crowd, so some real thought has to be given as to how it’s captured.
Employing some relatively common techniques to provide listeners with cues that give the audio some space – in multiple dimensions – as they’re used to hearing it in real life.
Hoisting a payload of compact, lightweight gear via a weather balloon to capture recordings that help in understanding the sonic environment 20 miles above the earth.
You can’t mix a song until you learn to honor the song. You can’t honor a song until you leave your agenda at the door and really, honestly listen to it. j. hall talks about finding the meaning of a song as being one of the keys to great mixing.
It’s sometimes difficult to record the audience in a way that captures its true sound – here are some techniques and considerations that can help…
From the October 1986 issue of RE/P magazine, insights into the effective use of compressors and limiters in the recording realm.
A case study in breaking the “golden rules” of recording – and getting away with it…
Managing all of the “area” between the extremes, for each and every sound you record, is a skill that’s critical to making a good-sounding recording.
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