Blast From the Past: An “Automatic” Third-Octave EQ Circa The 1970s
Long ago, the author was inspired to create an equalizer that would use LEDs to let even untrained users adjust its bands for a flat response. Here’s how it went…
Long ago, the author was inspired to create an equalizer that would use LEDs to let even untrained users adjust its bands for a flat response. Here’s how it went…
The evolution of the sound reinforcement approach for the iconic band – including the “Wall of Sound” – over the course of nearly two decades.
From the files of the late, great Recording Engineer/Producer (RE/P) magazine, an October 1979 in-depth profile of the monitoring system and approach of a popular music act of the era.
A brief discussion about the making of the song’s classic vocals quickly moves into sharing techniques and approaches on achieving the same sonic signature.
Clair Bros. Audio used a high-tech approach to stadium shows by the legendary band more than 30 years ago.
A wealth of knowledge on live-end/dead-end acoustics from the June 1982 archives of the late, great Recording Engineer/Producer (RE/P) magazine.
From the January 1989 issue of Recording Engineer/Producer (RE/P) magazine, looking at the record-breaking, 500 kW system deployed for Iron Maiden in 1988.
From the archives of the late, great Recording Engineer/Producer (RE/P) magazine comes a wealth of knowledge about one of the most challenging instruments to capture.
Understanding and evaluating phase, polarity and a number of other aspects of analysis…
A retrospective on concert sound for the Grateful Dead over the course of almost 20 years…
From the April 1987 issue of RE/P magazine, John Meyer discusses the industry, techniques, and predictions for the future.
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