Microfiles: The Stylish Teisco TM-4 Microphone
A dynamic design from a Japan-based manufacturer with switchable impedance via a high/low switch mounted under the head with impedance stated as “Hi-50K Ohms, Lo-600 Ohms.”
A dynamic design from a Japan-based manufacturer with switchable impedance via a high/low switch mounted under the head with impedance stated as “Hi-50K Ohms, Lo-600 Ohms.”
There are more factors in play in the process than at first might be readily apparent…
Capturing clean vocals, and vocals with acoustic guitars, with large diaphragm condenser mics in home and smaller studios as well as in the live sound realm.
If you’re looking for an earthy, realistic kit sound that can easily be manipulated, try this out…
Fortunately, a lot of these problems are relatively simple to solve. It’s just a matter of identification and appropriate action.
Normally as sound techs, we have good reasons for asking questions or making suggestions in a diplomatic manner… but isn’t it fun to imagine a tough-as-nails drill sergeant carrying our message?
A veteran engineer details what he’s learned by plugging in a self-contained stage and mix rig he developed into numerous sound reinforcement systems.
This mic had all of the features I needed, including high impedance, an on/off switch, built-in stand mount – and a low price!
A live recording is all about the energy of the event, and that energy comes from the crowd, so some real thought has to be given as to how it’s captured.
Capturing the right sound and feel in the most important session in the production cycle of a record…
The fewer the number of open mics, the better the gain before feedback; also, a single mic can pick up all instruments and vocals with a coherent, focused sound.
The first question to ask: Do I really need overheads? Yet it’s not quite that simple…
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