Answering a simple question from a reader to explain the purpose and value of direct injection.
If you’d like to experiment with this phenomenon, all you need is a pair of headphones, an internet connection, and 10 to 15 minutes.
Because even expert mastering engineers can only accomplish so much…
Getting “back to basics” on setting up compressors, gates and additional effects processors.
A fledgling sound person’s experiences in the wild, unpredictable and sometimes surreal world of “Driver Guy.”
Clarifying “FFT vs RTA vs transfer function” along with “frequency response vs magnitude response” and several other areas sometimes misunderstood.
A few tricks for making those overhead microphones sound thicker and more natural.
At the outbreak of the pandemic, the owners of MixOne Sound in Orange County reasoned that artists were still going to need a way to connect with their audiences and that their company was uniquely positioned to facilitate that.
In the real world, waves – much like careers – will inevitably encounter boundaries, be they walls, floors, ceilings or pandemics.
Mix engineer for Billie Eilish briefly discusses summing and expores a certain sound in an A&H dLive console.
A first look at a new option for designers and engineers who are seeking to add an extra level of control to their systems.