What it was like going from no compressor to one compressor versus today’s reality wherein even some very cost-effective consoles have a compressor on every channel and every output.
Tips, strategies, and workflows to work through a complete system alignment while saving valuable time.
Testing to debunk the myth that air gaps larger than one inch aren’t helpful for panels mounted flat on a wall or hung below a ceiling.
With wireless system use growing and the spectrum shrinking, frequency coordinators at shows/events are increasingly common – here’s what to know about working with them for an optimum outcome.
There’s really no such thing as a “typical” event when working with different artists, different styles of music, and different technical situations.
Looking into a technique that can provide a whole new palette of tonal colors, especially when mixing in stereo.
With its limited frequency response and relatively high price when new, it’s no wonder that the M-191 didn’t become a staple of stage and studio. But it sure does look cool!
In your mixing workflow do you tend to use subgroups, VCAs, or both? How do you tend to organize them, and what advantages are afforded by that workflow?
Addressing common confusion about compression – in the context of live sound – as processing that’s used to reduce the dynamic range of the signal.
Using multiple time windows in a single measurement as a way to measure and optimize the response of a sound system in a room.
Understanding the various signal levels each component requires is key to successfully getting everything to “play nice” together within a system.
Our first question with every project: “What products and services are appropriate for the given application?”