Cue Systems & Headphones: How Musicians Hear Themselves
Approaches to making them feel like they’re playing together in a room without headphones, able to hear and feel each other clearly in an atmosphere of creativity.
March 22, 2021
Approaches to making them feel like they’re playing together in a room without headphones, able to hear and feel each other clearly in an atmosphere of creativity.
A considered approach in addressing a challenging environment for reinforced events with the goal of significantly improved consistency in both level and tone.
Recalling several unique aspects of a successful effort by the sound team in support of a legendary country artist.
Employing trigonometry to quickly and effectively upgrade coverage; it’s also a good idea to have a backup for your computer in case it goes down during setup.
Is there some sort of rule/equation about how far apart and at what distance something feels like stereo or mono?
Insights from design engineer Sam Feine on some of the elements and advantages in a modern loudspeaker development workflow.
In a sign that the promise of live gigs actually starting to come back is becoming a reality, here’s the system and sound crew approach for a recent three-day event in Hamilton.
There’s so much more that goes into recording an electric guitar that goes beyond just slamming a 57 up against the grille cloth of the speaker cabinet.
The care and keeping of virtual congregations along with improving the stream mix and getting out of mixing “ruts.”
Ruminating on the topic of improving intelligibility by reducing volume inconsistencies and dealing with reverberant room acoustics versus the loss of “slam-hit eye-blinking” impact.
Looking at the basics of mixing vocals against backing tracks, along with the story behind the “music disc versus data disc” conundrum.
The author view on a wide – and interactive – range of electrical and mechanical parameters that come into play.