Analog Rejuvenation: The Joy Of Getting Back To Basics
Who would have thought revisiting the “old school” could be so exciting?
Who would have thought revisiting the “old school” could be so exciting?
Upsides and downsides to both methods, as well as context of when to select one or the other…
A video and additional guidlines for a solution that keeps the levels from waking up the baby next door…
This is the way I was taught years ago, and the basic method is largely the same on every stage right up to the top level…
It’s sometimes difficult to record the audience in a way that captures its true sound – here are some techniques and considerations that can help…
Just because we’re able to add a microphone (or two) to every source on stage, does it mean we should?
Lessons from front of house on Lily Tomlin’s “The Search for Signs of Intelligent Life in the Universe” tour in 1988.
Maybe death metal engineers can get away with the constant drone of metallic hash noise, but for everyone else, please continue to read on…
This time around, we ask sound folks what musicians can do differently to help foster a win-win situation.
Workflow strategies for mixing monitors (wedges and in-ear monitors) from front of house, in addition to stage techniques to maximize monitoring success.
A front of house engineer details his console architecture in terms of busing and processing, regardless of the mixing platform.
Parallel processing, by definition, splits a signal and processes the copies separately, but there’s a sinister concern called “latency.”
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