RE/P Files: Control Room Design For The Small Studio
A focus on eliminating severe resonant modes and establishing the low-frequency response of the room, and much more…
A focus on eliminating severe resonant modes and establishing the low-frequency response of the room, and much more…
Interviews with producer-engineer Rob Fraboni and promoter Dick LaPalm on the recording sessions for a legendary album…
From the April 1983 issue of the late, great Recording Engineer/Producer (RE/P) magazine, David Scheirman takes a look inside the Willie Nelson & Family tour of 1983.
From the October 1986 issue of RE/P magazine, insights into the effective use of compressors and limiters in the recording realm.
From the archives of the late, great Recording Engineer/Producer (RE/P) magazine comes a wealth of knowledge about reverb. (July/August 1979 issue)
From the late, great Recording Engineer/Producer (RE/P) magazine, the pitfalls and rewards, musical and otherwise, of recording in the world’s largest echo chamber.
The conventional wisdom in 1970 for recording instruments, amplifiers, and effects
A true legend talks about the creative process, technology, the Beatles and more…
A brief discussion about the making of the song’s classic vocals quickly moves into sharing techniques and approaches on achieving the same sonic signature.
A pioneer of large-scale sound reinforcement, including systems for the Beatles, the Filmore, and Woodstock, reflects on the early years of rock and roll.
A wealth of knowledge on live-end/dead-end acoustics from the June 1982 archives of the late, great Recording Engineer/Producer (RE/P) magazine.
“What size amplifier do I need?” A simple and innocent question with a complicated answer.
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