The author shares his expertise on the day-to-day portions of mixing a late night TV house band and navigating the role that music plays in reinforcing the comedy portions of the show. He discusses various talkback systems and using IEMs for program feeds.
A constant factor that applies to any type of show or gig: the comfort level of the musicians goes a long way to determining our success or failure.
The goal is to protect the artist’s hearing while giving them a “balanced, clear mix.” Louder isn’t better.
Newest member of Eris family equipped with the company’s custom Elliptically Boundary Modeled waveguide designed to enable it to be clearly and accurately heard across a 100-degree “sweet spot.”
Certified Pro Tools training center upgrades its PhantomFocus MixRoom with new bi-amped UHD-1000 monitor system, which includes PFM ICE Cube-12 subwoofers.
Passive and bi-amp models offer vocal rendition and the ability to handle high SPL.
Brings the company’s Synergy Horn technology to market in a new form.
Company’s first powered wedge offers QuickSmart DSP processing with three-band EQ, feedback filter and presets.
The ATC 7.1.4 Dolby Atmos Music system at NAMM will also use a new, in-development product from Latch Lake Music, a free-standing, high loudspeaker stand to support the eight to nine foot “height” loudspeakers.
Monitors play a role in 16-track studio where Klosterman handles a range of projects as well as product reviews.