The Right Stuff: The Keys To Success In The Role Of An A1
Sometimes it’s a challenge to find qualified technicians that actually know the job of an A1 tech in professional audio.
Sometimes it’s a challenge to find qualified technicians that actually know the job of an A1 tech in professional audio.
Our panel of PSW veteran audio professionals discuss preferences for flat response or a response with a ‘spectral tilt’ towards the low-frequency (LF) end.
Utilizes Variable Mu limiter compressor as a critical link in the mixdown path.
Compilation of helpful quotes covers business, content, pricing, networking and more from 130 top music pros from various segments of the music industry.
Multi-platinum producer/engineer balances monitoring infrastructure at two studios with Reference 4 software on Pro Tools 11 HD systems.
Respected engineer and producer shares techniques and strategies for successful studio sessions learned and developed over an extensive career in new book.
A conversation with a front of house engineer who has found his passion and brings it to each show for Erykah Badu.
Noted producer and engineer to conduct a presentation titled Social Media Promotion for Musicians at the annual 2-day tradeshow in Fort Wayne, Indiana.
Tommy Fleming, musical director for Carnival Cruise Line, shares his experiences in both capacities, and how knowledge of each discipline informs the other.
A positively reinforced trek from mixing small clubs to touring with The Dirty Heads and Lauryn Hill to representing Allen & Heath.
Grammy-winner and studio engineer for George Duke mixes and masters for A-list artists with Massive Passive stereo EQ.
Managing the stage-end details of a three-day gig with ten days of work at Glastonbury in Somerset, England.
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