A Minimalist Approach: Effectively Using Just One Effect In The Mix
Minimizing the setup down to its core, utilizing the bare essentials to get the job done efficiently and as quickly as possible.
Minimizing the setup down to its core, utilizing the bare essentials to get the job done efficiently and as quickly as possible.
New cloud-based service providing access to more than 100,000 sound effects collections in mono, stereo, multichannel and Ambisonics.
Examining some basic concepts to efficiently enhance the mix by creating more space and depth in recorded tracks.
Getting “back to basics” on setting up compressors, gates and additional effects processors.
Establishing how much room there is to be creative — and where the canvas ends.
The biggest aspect of adding effects (or not) to a mix is experience, but following these guidelines can be a great place to start…
Techniques for building digital console show files to make often-used controls and functions accessible in three moves or less.
Mixing a small number of channels while retaining the full frequency spectrum, intimacy, and dynamics may be the pinnacle of the craft.
One of the hardest things to record can be a vocalist who is not comfortable with the studio conditions.
Have we reached the point where we actually prefer processing and loops to real instruments?
First in the ongoing STL Tonality series of plugins offers distinctive tones from Benson and Mike Plotnikoff’s private amp collection as VST/AU/AAX plugins.
Getting past the fear of experimenting with effects and learning to add complimentary textures.
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