Making It Flat: Analyzing Loudspeakers & DSP
How to view and understand the on-axis and off-axis response of a typical single 2-way loudspeaker.
How to view and understand the on-axis and off-axis response of a typical single 2-way loudspeaker.
While a bit more modern than some of the company’s more famous vintage mics, it’s still a beauty.
Five problems that the author — a veteran live engineer — has encountered at gigs. as well as some suggestions for how they can be avoided.
Common problems fall into three categories: volume, EQ, and OOMC, short for “Out Of My Control” – here are some straightforward approaches to deal with them.
Checking in with the sound team about its workflows and approaches, adapting during the pandemic, the road forward and more.
A company is either growing or dying – unless you’re prepared to take some risk to push the envelope, you’ll merely become a soon-forgotten sign that says Under New Management.
Documenting your networks (and honestly, the rest of your AVL systems with Dante patching, stage input lists, monitor mixes, DMX channels. etc.,) isn’t the most glamorous part of the job, but is one of the most important. Here are some ideas for going about it…
A fledgling audio professional still in high school steps up to assemble a crew and support the West River Festival on Prince Edward Island in 1978.
Working with a young team in addressing some of the unforeseen challenges involved with taking a traditionally acoustic genre into a natural amphitheater configuration.
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