Universidad ICESI in Cali, Colombia, which a few years ago established a major in music and related production, has been equipped with an Audinate Dante networking infrastructure as a key to its curriculum.
Mateo De Los Rios Camacho, director of the new music program, explains that the primary the with the Dante system was to offer students advanced production capabilities. “Cali is an incredibly musical city, and music is truly a part of the Colombian identity, so we wanted to ensure we were providing our students with the exact tools the professionals use,” De Los Rios Camacho says. “The biggest component to that was having the correct technology and infrastructure. That means working with Dante.”
De Los Rios Camacho adds the city of Cali is full of musicians – including a number of talented salsa bands – who understand the creativity and commitment required to create music. However, the city lacked a musical production program that would provide foster hands-on skill in recording, mixing, and producing professional-grade audio.
“Also, the existing music programs in the city were based on classical training,” he says. “We had people who wanted to produce salsa, jazz, hip hop, R&B and pop, and who weren’t really learning how to do that. We wanted to change that by taking a contemporary approach. And that means including the new standards for technology, specifically networked audio.”
The implementation of Universidad ICESI’s music major in 2016 began with providing networking infrastructure specifically for Dante to the three new recording studios in the newly constructed building – and to every room where there might be the capability for musical production to occur. In total, 27 different spaces – including recording studios, ensemble rooms, individual practice rooms, and technical spaces – are connected through a Dante-specific network.
“The idea is that across our four-story building we can connect to almost any room instantaneously,” De Los Rios Camacho says. “The first experiment was to have musicians playing in one room and have mixing taking place from the other side of the building. When students saw that for the first time they were very excited about what it meant.”
Spaces include the main production “live room” that can accommodate a single musician or a full musical ensemble. The room is two stories high and is physically connected to two different recording studios via glass windows, but with Dante, the location can be accessed by any recording space or media lab in the building.
Recording studios have a broad selection of devices available for a customizable workflow, with Focusrite RedNet devices used to get all types of signals onto the Dante network. “To receive and transmit signals from the different spaces we use Focusrite RedNet boxes, and some with portable preamps,” explains De Los Rios Camacho. “All of the connections of the three recording studios are done using RedNet 2 and RedNet 5 boxes.”
The RedNet 2 interfaces offer 16 channels of analog I/O for Dante networks, while RedNet 5 interfaces provide connectivity between Pro Tools HD and Dante. Meanwhile, multiple practice spaces can also be immediately connected to recording studios. These spaces give students immediate access to acoustical pianos, drum sets, and other instruments. The output from the rooms is brought onto the Dante network using Focusrite RedNet 1 interfaces.
“It’s a top of the line production facility thanks to the capabilities offered by Dante,” De Los Rios Camacho concludes. “When our students go into the world, we know they will have the capabilities to produce music at an extremely high level, because Dante is the solution being used in the modern production environment.”
