Tales From The Front: Horror Story Installations
Seriously, folks. Unless you’re well-trained and experienced, please leave this stuff to the professionals.
Seriously, folks. Unless you’re well-trained and experienced, please leave this stuff to the professionals.
A critical look at what the author believes is a commonly overlooked question in modern sound systems engineering: how the front fills are driven and how that decision can affect their level relative to the rest of the system.
Bregenz Open Acoustics 2.0 marks not just an evolution, but a complete re-imagining of the sound system, a testament to the festival team’s dedication to crafting an acoustic masterpiece that continues to captivate audiences year after year.
Regarding the debate over the sonic quality of the various lossless and lossy file formats, the author contends that as with a lot of 21st century mass-market music, there might be something else in play.
The “nuts and bolts” of getting it done efficiently and professionally – there wasn’t a famous celebrity involved, and it wasn’t what anyone would call “sexy,” but it still called for application of some specialized knowledge.
Key principles of transformers and how they shape professional audio equipment and systems.
A technical analysis of the variety of factors involved in what seems a simple matter on the surface.
Does delaying the mains to the backline cause any problems for the performers? A variety of views…
Going beyond the traditional flow chart components of signal flow and considering the other variables involved in reinforcing music for a live performance.
A look back at the sound design and tools to support a 12-hour rock concert in Southern California almost five decades ago.
Detailing an “in the field” approach devised to meet a unique combination of system design parameters at an indoor music festival.
A collection of tips and tricks picked over the years that can come in handy facing acoustic challenges.
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