Working with wireless RF, microphone placement, on-stage sound effects and a full orchestra at Hamilton College in Clinton, New York.
In your mixing workflow do you tend to use subgroups, VCAs, or both? How do you tend to organize them, and what advantages are afforded by that workflow?
Digital may now dominate the industry, but analog still has its place in many events for many reasons…
Considering the different types of preparation we can make to mix with excellence on single events as well as the long-term tours.
Considering a few activities that would be handled differently if we weren’t obsessed with making the show happen.
Deployed correctly and they’re great, particularly with drums. Deployed incorrectly, however, and a mess can ensue…
If you didn’t come to the big game ready to win, it’s time to decide if this is the team you need to be on.
Although there are numerous ways to mike an upright piano, none of them are particularly ideal.
Some tips for managing wireless microphone systems and the actual mix of high school or college theatre productions.