Mixing In Stereo: Adding Width And Depth To Recordings
A collection of general theories, tips, and tricks that apply to most mix projects…
A collection of general theories, tips, and tricks that apply to most mix projects…
A classic cardioid design from the mid-1960s with a “frequency response tailored for use with guitar amplifiers.”
A dynamic design that “has a wide range for voice and music reproduction in PA, recording and TV.”
An omnidirectional dynamic model that while more traditional looking than many earlier Art Deco designs still has a “mid-century modern look” all its own.
Looking into a technique that can provide a whole new palette of tonal colors, especially when mixing in stereo.
With its limited frequency response and relatively high price when new, it’s no wonder that the M-191 didn’t become a staple of stage and studio. But it sure does look cool!
A short primer on basic approaches and techniques for miking and recording several aspects of drums.
While a bit more modern than some of the company’s more famous vintage mics, it’s still a beauty.
Some sage counsel from a pianist leads to a whole new approach in miking the instrument…
Place it where the instrument sounds best, not where the microphone looks best…
Dynamics or condensers? Best placement options? To go direct or not? Answers to these questions and more.
A variety of ways to capture the performance so it can be brought back alive…
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