Signal To Noise, Episode 129: Broadcast Sports & Entertainment Mixer Jeri Palumbo
Behind the scenes on broadcast audio for the NFL, including mixing in the truck, A2 work in the field, RF coordination, parabolic mics, and more.
November 24, 2021
Behind the scenes on broadcast audio for the NFL, including mixing in the truck, A2 work in the field, RF coordination, parabolic mics, and more.
The next stop on the drum kit line check focuses on cymbal selection, microphones and mic positioning, processing, and a whole lot more.
Marketing director of Allen & Heath USA talks about what the future of mixing technology might look like given all the recent technological advances.
Discusses his work with the Grammy-winning country music group, his progression of consoles, how he manages a 96-input show and more, including the origin of his nickname.
Discusses the back story on how he got into audio and what lead him to work with the band Lawrence as well as mixing monitors from front of house, how his love for music resonates with the audience, and more.
Discusses building teamwork and communication both within media and tech teams as well as with the musicians on stage. What does good communication look like?
How to overcome audio challenges “in the moment,” the advantages of in-ear monitoring, a process for mentoring up-and-coming audio techs and much more.
Talks about the expectation of “record quality” mixes coming out of live consoles even when we’re not “studio engineers,” and more.
Clarifying aux-fed subs, different sub feeds and time aligning inputs as well as providing some actual target numbers for streaming loudness.
Discusses the relationship of support acts with headliners, pulling double duty as tour manager and front of house engineer on the same tour, and more.
The drum kit line check rolls along with guest Emmanuel “E-MAN” Cervantes joining the show to provide a deep dive on the next set of inputs: Toms.
Talks about how he takes cues from live sound for his studio mixes and production techniques, what it’s like to hear the music he mixed and recorded be performed live, and more.