What’s The Take-Away? The Advantages Of Subtractive Mixing
A powerful, pristine mix doesn’t always have to be about loud, louder and loudest.
A powerful, pristine mix doesn’t always have to be about loud, louder and loudest.
A veteran mix engineer shares some tricks and techniques for managing multiple guitars in stereo or mono mixing scenarios.
The good news is that with each audio “crash and burn” came lessons learned the hard way.
Addressing everything that happens in the mix between the foundation and the vocals, which is extremely important if you want the song to sound musical and powerful.
Learning to use FFT measurement software and interpret the data takes a lot of time and practice, but it’s worth it if you’re in for the long haul.
My goal is simply to envision a healthy balance, do the best I can, and let it go if I fall a bit short. I’ve learned that I can’t focus too much on one activity for an entire day and neglect the other stuff…
Just because we’re able to add a microphone (or two) to every source on stage, does it mean we should?
Inside a method the author developed for fast adjustment of a noted guitarist’s tone during the course of shows.
How do we, as FOH engineers hired to make the artist sound great, approach advice given from that artist directly?
Experience with gear and software is very important, but one skill that’s sometimes overlooked – yet takes years to master – is the art of listening.
Whether on tour for months together or collaborating for a single day, mutual respect and a collective desire for superb audio should be at the heart of the partnership.
The good news is that with each audio “crash and burn” came lessons learned the hard way.
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