More Than Machinery: 10 Non-Technical Things Every Church Sound Operator Should Keep In Mind
While nothing replaces knowing the tech side of the audio craft, there’s a lot more to being successful in the role.
While nothing replaces knowing the tech side of the audio craft, there’s a lot more to being successful in the role.
Indie rockers employ 4018 supercardioid, 4011A cardioid and 4006 omindirectional mics to support various instruments and songs on “Long Lost,” along with 4011As in XY configuration for drum overheads.
Spatial audio pioneer Herbert Waltl’s new facility includes a former recital room outfitted with an 18-loudspeaker KH Line studio monitor system.
Designed to make it possible to isolate individual sound sources in noisy environments.
Northern California-based systems integrator utilizing Mixbus VBM platform for cloud-based audio mixing capabilities.
Trinity robotic line source loudspeakers and Gravity subwoofers deployed in support of five bands playing live at the Portland International Raceway in Oregon.
Enhanced e-store offering much broader choice of AV products accessible via PSSL.com.
MediorNet, Artist, and Managed Technology deployed at All-England Lawn Tennis and Croquet Club for Wimbledon 2021 and beyond.
Mix engineer Michelle Sabolchick Pettinato on her career as well as a “deep dive” into her front of house setup in support of her work with Elvis Costello.
“Birds in the Moon” debuts at the NY Philharmonic Bandwagon 2 Festival supported by mixes on an iPad equipped with Spacemap Go spatial sound/live mixing software.
48-fader mc²56 production consoles for front of house and monitors, the latter also utilizing a 16-fader mc² extender to foster social distancing between the two operators.
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